I appreciate well-nuanced work regardless of specific output medium. Its obviously easier
to judge the idiosyncrasies of particular films when they are chromes, cause you can just
slap em onto a lightbox. With color negs, it takes some experience either printing them
outright or understanding what happens thru the scanning step. The temptation is when
folks have too many options and just go hog wild in PS. In my thinking, I'd rather dance
with the film than beat it into submission. But it's a lot more cooperative in the first place
if some time is taken to really understand it.
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