Woke up at 5:30 this morning to go shoot some Provia 100F at sunrise. The forecast was partly cloudy. To my surprise, they were way off and there was some crazy intense fog. So, I drove around awhile until I found a cool area to set up and shoot.
It took an hour or so for the fog to move just right to take the exposure I wanted. It was the first time I felt like I really "waited" and made the photo I envisioned.
[4x5 Delta 100 210mm f.45 25s]
Wonderful images, folks!!
Garden Seat, Infrared
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.4cm X 21.3cm, from a 4x5 Efke IR820 negative exposed in a Tachihara 45GF double extension field view camera
fitted with a Schneider Super Angulon 75mm f5.6 lens and IR680 filter.
Photography:first utterance. Sir John Herschel, 14 March 1839 at the Royal Society. "...Photography or the application of the Chemical rays of light to the purpose of pictorial representation,..".
Two more from my last wild camping trip to the Snowdonia National Park, Wales, UK back in mid-September. I spent the night at Llyn yr Arddu and these images were made on high ground above the lake just before sunrise and then in the golden light within probably 20m of each other (please clock for larger version).
Moelwyn Bach and Moelwyn Mawr:
Chamonix 045N-2, Caltar 90mm f6.8, f16, 2s, 3 stop hard ND grad filter, Fuji Velvia 50
Snowden Glow:
Chamonix 045N-2, Rodenstock 135mm f5.6 Sironar N, f22 and 1/3, 1s, 3 stop hard ND and 1 stop soft staggered grad filter, Fuji Provia 100F
Graham
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