Large Format Landscapes

[Jim Cole]

Another nice trio, Nana. Jeez, you have a master's eye and the technique to carry out your vision. Bravo!

[StoneNYC]

I have both, obviously, 85B and 85A. And I can tell which is which only by looking at the text on the barrel. They look the same to my eyes. Look at this curves (from Hoya site):
Attachment 120183
It seems the CDU-II is type I tungsten film, so it requires a specific spectral curve to get the image right.

Interesting thanks

[StoneNYC]

Attachment 120187
NSD 45 PS (home made camera), Fomapan 100

Attachment 120188
Shen Hao HZX 45 IIA, Fuji Acros

Attachment 120189
NSD 45 PS, Ilford FP4+

Wow a testament to your skill. Well hopefully I'll learn how to do that in school.

I know you can "make" a film look the way you want, but I always found with my workflow that each film is easier to get a certain look "out if the camera" without having to adjust the EI and dev times/techniques much.

I tend to like to shoot films at box speed etc.

Anyway, really great. Thank you.

[jon.oman]

Attachment 120187
NSD 45 PS (home made camera), Fomapan 100

Attachment 120188
Shen Hao HZX 45 IIA, Fuji Acros

Attachment 120189
NSD 45 PS, Ilford FP4+

Another stunning set of images!

[Thomas Greutmann]

After the rain, Fjaerlandfjord, Norway



Linhof Master Technika with Super Angulon 47mm, TMAX 400 developed in XTOL 1:1

Greetings, Thomas

[Steve M Hostetter]

8x10" tranny iso 50 , Shades State Park

[Steve M Hostetter]

Battle Ground 8x10" tranny fall

[Harley Goldman]

Attachment 120189
NSD 45 PS, Ilford FP4+

Nice series, but this one really captivated me. Excellent.

[Colorado CJ]

I had a go with making a wet print of the photo I shot Sunday. This is a direct scan from an 8"x10" wet print I made today. I used a #4 contrast filter and exposed the paper for 55 seconds. I then burned the sky in for 20 seconds to get definition in the sky.

Printed on some cheap variable contrast RC paper and developed in Illford Multigrade developer. I then brewed some strong coffee and stained the print for 20 minutes in the coffee solution to get somewhat of a sepia tone.

I think I got pretty close to the directly scanned negative. I am EXTREMELY new to wet printing though, so I have a huge amount to learn.

Wet-Print-of-Negative by Colorado CJ, on Flickr

[Jeff Dexheimer]

I had a go with making a wet print of the photo I shot Sunday. This is a direct scan from an 8"x10" wet print I made today. I used a #4 contrast filter and exposed the paper for 55 seconds. I then burned the sky in for 20 seconds to get definition in the sky.

Printed on some cheap variable contrast RC paper and developed in Illford Multigrade developer. I then brewed some strong coffee and stained the print for 20 minutes in the coffee solution to get somewhat of a sepia tone.

I think I got pretty close to the directly scanned negative. I am EXTREMELY new to wet printing though, so I have a huge amount to learn.

Wet-Print-of-Negative by Colorado CJ, on Flickr

Beautiful print, especially for being new to wet printing.