Originally Posted by
Mark Sampson
The real problem with dye transfer at this point is an existential question. To wit: Do I have color images worth the struggle to reproduce them? Our Mr. Carnie (more strength to his arm) doesn't have that issue to deal with, as his customers make that decision for him. But the rest of us? Eliot Porter, for one, had the talent and work ethic to produce great photographs and master this most difficult of color processes. But he had a private income so could devote the time and money to follow his muse. Who among us has the energy to shoot great color photographs and the endurance to master the craft?
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