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Thread: Now this is LARGE format

  1. #61
    Format Omnivore Brian C. Miller's Avatar
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    Re: Now this is LARGE format

    #1: This is a macro shot, 4x magnification or so.
    #2: You'll need a lens that covers at least 8x10. I think that a 400mm+ lens range is necessary, see prior posts.
    #3: "I need guns. Lots of guns." Yes, flash guns. Light.

    I suspect that Manarchy bought the film as a tail end of a master roll, 4-1/2 feet wide. That would explain the camera/darkroom aspect of his process, and why the ends look a bit funny. He clamps the film to an easel, and exposes the film.

    He may develop in a tray, or an open-ended drum.

    After the film is processed, it is scanned. Let's see, a blueprint scanner at 500ppi gives 27000 x 36000 pixel area, so 972,000,000 pixels for the final print, and then it's off for printing, with the large stuff on "weatherproof canvas." Is nearly 1Gp good enough for a billboard?
    "It's the way to educate your eyes. Stare. Pry, listen, eavesdrop. Die knowing something. You are not here long." - Walker Evans

  2. #62
    Format Omnivore Brian C. Miller's Avatar
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    Re: Now this is LARGE format

    OK, from concept to cardboard and duct tape, this is what I did.

    Pre-cutting: This is the shipping box for my Burley Nasoke recumbent bicycle. I had a different project in mind, but this one is good. The box is a bit over 5ft, and the total extension is 73in from GG to lens board.
    From the inside: Inside the box! It doesn't have to be pretty, but it does have to be light tight.
    23in distance: The focal distance is 23 inches. I'm sure that Manarchy is using a longer lens than 480mm, probably around 1000mm.
    Ground glass: This is what it looks like on the ground glass at f/8. I think the magnification is a little over 3x.

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    "It's the way to educate your eyes. Stare. Pry, listen, eavesdrop. Die knowing something. You are not here long." - Walker Evans

  3. #63
    Jim Jones's Avatar
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    Re: Now this is LARGE format

    Brian, That's the way to do it! However, you'll have to do an awfully fancy paint job on the outside of that bike box to justify anything near $50,000 a shot!

  4. #64

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    Re: Now this is LARGE format

    ^^^ I wouldn't be so sure. Green recycle folk will LOVE it just the way it is.

  5. #65
    Format Omnivore Brian C. Miller's Avatar
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    Re: Now this is LARGE format

    (YouTube) TED talk: Dennis Manarchy: Put Your Insane Hat On

    Interesting TED talk. He sort of rambles, but the content is varied and well-delivered.



    Yes, he's kind of still at it with his huge camera project. Now he wants 100 people to buy from a special edition to fund the construction of the camera. I still don't know where he's going to get the other $7,950,000 to complete the project the way he wants.
    "It's the way to educate your eyes. Stare. Pry, listen, eavesdrop. Die knowing something. You are not here long." - Walker Evans

  6. #66
    Drew Bedo's Avatar
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    Re: Now this is LARGE format

    What Lens is on that camera? My guess is that it won't cover the format at infinity . . .so the project is forced into macro-portraiture.


    Have I got that right?
    Drew Bedo
    www.quietlightphoto.com
    http://www.artsyhome.com/author/drew-bedo




    There are only three types of mounting flanges; too big, too small and wrong thread!

  7. #67

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    Re: Now this is LARGE format

    i am guessing the taco method wouldn't work on those negatives....

  8. #68

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    Re: Now this is LARGE format

    And what exactly does one do with an enlargement that's 2.5 stories high (portrait format)? That's 25 feet, using residential standard height of about 10 ft/floor.

  9. #69
    Drew Bedo's Avatar
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    Re: Now this is LARGE format

    Just because a thing CAN be done . . . .
    Drew Bedo
    www.quietlightphoto.com
    http://www.artsyhome.com/author/drew-bedo




    There are only three types of mounting flanges; too big, too small and wrong thread!

  10. #70

    Re: Now this is LARGE format

    Quote Originally Posted by Drew Bedo View Post
    What Lens is on that camera? My guess is that it won't cover the format at infinity . . .so the project is forced into macro-portraiture.


    Have I got that right?
    Rodenstock Apo-Ronar 1070mm f14.

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