Large Format Landscapes

[Michael Roberts]

Massachusetts, November 2018
Homage to Hasegawa Tōhaku
Sinar P, 150mm Rodenstock APO Sironar-S
4x5 FP4+, D-23

Ken, I really like this photo and the panel presentation.

But, I have to ask, is this one photograph with the panels superimposed or did you actually compose six separate photographs?? A sextych?

Michael

[orgraph]

2018-10-28 Голландия010-01web by Yuriy Sanin, on Flickr

Netherlands, Nagaoka 4x5, Congo 90/6.3@32, Kodak E100

[Ken Lee]

Ken, I really like this photo and the panel presentation.

But, I have to ask, is this one photograph with the panels superimposed or did you actually compose six separate photographs?? A sextych?

Michael

Here the panels have been superimposed. I have not decided how to render the final image.

The ratio of this photograph is the Square Root of 6. By the laws of mathematics when we divide the image into 6 panels, each panel has the same ratio as the whole.

For any image whose ratio is a Square Root of X, if we divide the image into X panels, each panel will have the same ratio as the whole image.

[Vaughn]

Just having fun! Developed this 11x14 negative last night/early morning. Big-leaf maples along Prairie Creek, CA. I photographed the neg on the light table and messed with it...not a representation of any final image to come. I set up for one 5.5x15 image, then just take off the back, rotate it 180 degrees, and expose the second image. In this case about one stop seperates the two exposures. Both were at f/45, one at 1 minute the other at two minutes. Time kept in my head, so some variation is likely in the timing.

[Corran]

Gorgeous negative(s) Vaughn. I like the darker one, but the presentation here is interesting.

[Kerosene Hat]

Tried developing an 8x10 transparency I shot months ago last night, after finding the tanks and film holders I had misplaced when moving a couple years ago. Didn't work well due to some technical issues that I will resolve but I did get an image, just with wonky color (or possibly this film is toast). But the earthy tones were kind of interesting, so here's the scan:

Wehman UL 8x10, Nikkor-T 720mm f/16, Kodak Ektachrome 100VS, cropped to 6x10:

Probably the master of North Georgia landscape photography, folks. Another great addition to your body of work, Bryan.

[Kerosene Hat]

Just after sunrise, Dead Horse Point State Park, Utah
Wista VX, 75mm(?), Tri-X 320, D-76 1:1, N-3


Just After Sunrise, Dead Horse Point State Park, Utah
by Brandon Ward

[Pali K]

Just after sunrise, Dead Horse Point State Park, Utah
Wista VX, 75mm(?), Tri-X 320, D-76 1:1, N-3


Just After Sunrise, Dead Horse Point State Park, Utah
by Brandon Ward

Wow! This is breathtaking Brandon!

Pali

[Corran]

Great work Brandon! N-3, wow, well the tonality and such look good.

[Kerosene Hat]

Wow! This is breathtaking Brandon!

Pali

Thank you, Palli & Bryan. It was a beautiful morning.