Dennis,
I agree, I have came with sort of results you have using HC-110 1:64 with Tri-X expired, and with Agfa Rodinal 1:50. My bet was you gave it +2 or stand, by the grain. I was almost certain about the pushing dev. 'cause the grain in the sky and the grain visible at large distance can also been see - it's not possible to have a tinny image of sand's grain at far distance,
Cheers,
Renato
It's a fantastic image, Dennis.
That's very interesting, Renato. It's possible my development was even more than N+1 as the negative was developed many years ago when my procedures were less refined than now.Originally Posted by RSalles
I never printed this neg or paid much attention to it until recently, because there was some damage at the edge of the image which interfered with making a decent print. Photoshop was a blessing in making a simple needed fix.
So when I printed the image for the first time, the granular effect on the sand - even at a distance - was a surprise, but clearly complemented the subject.
Thank you again, Old-N-Feeble, for your kind words.
I know just enough to be dangerous !
Some very amazing photos as of late. Love the grain pattern, the limestone quarry, and the cropped dunes!
Deprived myself the $ equivalent of an evening of fine dining to expose a valuable 8x10 of portra 160 at the same time I shot some Xray film last month. Turned out all right. B&J 8x10, Kodak 305 portrait. flip it and imagine some gridlines to see what I saw.
img961 by philbrookjason, on Flickr
Last edited by jp; 21-Apr-2015 at 20:12.
Last Light by DevalJoshi, on Flickr
Toyo 45aII
Rodenstock Sironar-S 150
F1/16, 1/4s
Fuji Velvia 100
Siesta Key Sunset
Sarasota, Florida
Very satisfied with the shadow detail captured by Velvia 100
Absolutely perfect, exceptional! You've got to print this one large.Dunes, Death Valley
Linhof Master Technika, 150mm Symmar, f32@1/100, Tri-x, HC110
It has an almost painterly look to it.
I'm surprised too, as well as the nice purple hue as opposed to the red one I get when I use Velvia100 which is why I went back to Velvia50
Toyo 45aII
Rodenstock Sironar-S 150
F1/16, 1/4s
Fuji Velvia 100
Siesta Key Sunset
Sarasota, Florida
Very satisfied with the shadow detail captured by Velvia 100
Nice job
Siesta Sunset by DevalJoshi, on Flickr
My other shot of the night.
Toyo 45aII
Rodenstock Sironar-S 150mm
F16 1/2 Second
Fuji Velvia 100
Siesta Key, Sarasota
Absolutely gorgeous! Has a very peaceful feel to it.
Did you scan this on Epson? Seems like you have the typical edge banding going on here.
Pali
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