Mkillmer, that is beautiful.
Mkillmer, that is beautiful.
Wetplate collodion quarterplate, Speed Graphic, Ektar 127mm:
Garrett
flickr galleries
I finally made myself a lens board adapter for the Century 10A so that it will take all of my lenses mounted on 6" boards as well as my iris clamp for all of those flange-less barrel lenses. I haven't shot much with the Century because I only had two lenses I could shoot with, but now the sky's the limit.
Century 10A 8x10 w/5x7 back, 15" B&L projection Petzval, Kodak Low Contrast Aerial Duplicating Film (SO-277) expired 1984.
Jonathan
Last edited by jcoldslabs; 24-Aug-2013 at 20:01.
Nice, Jonathan. You've got the white line and black line lighting going on on opposite sides of the vase.
Jim Cole
Flagstaff, AZ
Thanks, Jim. I brought this decanter up from the basement a few weeks ago with the intention of photographing it, but it has just languished since then. Today I saw it sitting on top of a loudspeaker in our dining room and decided to line up the shot right there. The lighting was from a big window in the room beyond, but it worked just fine. The only thing I added was a piece of glass for it to rest on that added a small reflection underneath.
J.
One set up, two films.
Century 10A 8x10, 19 3/4" Copying Ektanon, T-Max 400
Pacemaker Speed Graphic, 210mm Hugo Meyer Doppel Anastigmat, Polaroid Type 53 with a 100 Sepia reagent pod.
Jonathan
I think the Polaroid wins that contest by a mile.
Jim Cole
Flagstaff, AZ
I'd pick the TMY version, to balance it out a bit. Looks like stage lighting. I'm a big fan of polaroid, but I love the clean, deep shadows in the first.
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