Still Life Images, 2013

[jcoldslabs]

I shot this back in January but just processed it tonight. (Don't ask.) I like the sharpness but now wish I'd shot a Petzval version for comparison. The props are cheap enough (!) that I suppose I could do it again.

Toyo 45A, 210mm Sironar-N, T-Max 100.




Jonathan

[Corran]

That's pretty cool. I like the sharpness of the strands of cotton.

Reminds me of matches...maybe you can shoot another one with them on fire?

[jcoldslabs]

I hadn't thought about matches. Now you're giving me ideas....

J.

[Christo.Stankulov]

The glass look great!

P.S. Recently I've shot 2 boxes of PN55, I've leaved them more than 20 minutes to develop and all of negatives are solarized...

[jcoldslabs]

The glass look great!

P.S. Recently I've shot 2 boxes of PN55, I've leaved them more than 20 minutes to develop and all of negatives are solarized...

Thanks. I have had pretty good luck with my collection of old Type 55. I do get solarization sometimes, and I wonder if that is because the fixing agent in the chemical pod wears out before the developing agent does and therefore when the negative is peeled it continues to develop and solarize. But I'm not really sure.

Jonathan

[Mkillmer]

These are all shot on 8x10 paper negatives...

[chassis]

Mkiller, great images. I like the first one the most. The texture and composition work well for me.

[Christo.Stankulov]

4x5" AGFA APX 100@HC110 1+15@8:30 min. rotation - a la Jean Claude Mougin after the fixer 5 min in selenium toner 1+5/palladium print on Arches platine/29 minutes exposure

[OMU]

These are all shot on 8x10 paper negatives...

Really, really beutiful photos. Thanks for sharing :-)

[Mkillmer]

An 8x10 paper negative...