With money
Fuji 125mm or Sironar-N 135mm
Nikkor-M 200mm
Nikkor-M 300mm
Without money
Angulon 90mm
Xenar 150mm
Xenar 210mm
With money
Fuji 125mm or Sironar-N 135mm
Nikkor-M 200mm
Nikkor-M 300mm
Without money
Angulon 90mm
Xenar 150mm
Xenar 210mm
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
65, 90, 135, 210, 250, 305, 450 are the lenses I carry for 4x5. Sometimes I leave one home only to find that's the one I need. I can't count.
Right now I've got 135/210 and it works well for me. I waffle between wanting a 90 or a 300 enough to make me think that I'll probably end up with a 4 lens kit.
That's the rub -- if you had the bellows for a 24" RDA, then there might be too much bellows to use the 65! There are bag bellows and recess lens boards, of course.
I certainly run into this situation with the 8x10 (Zone VI). It can handle a 24" (but not a 28" focused at anything but infinity -- cranked out to the very last tooth on each rail). Using the 159mm does not allow much movement. I have a 2D that can take the 28" in stride, but I have not tried the 159mm on it. The three lenses I am carrying with the Zone VI in its pack...250mm - 300mm - 19". I might take the 210mm Graphic Raptar (barrel) if I will be photographing in tight places in the forests and can easily use the lens cap for long exposures. It weighs also nothing. The 159mm is being put on a board for the 5x7, along with a 210mm.
Depends on what you shoot. Some people here mostly post wide angle landscapes. Other people, completely different subjects.
My interests in LF shooting aren't quite normal, so this is how I order what I use in 4x5.
most used:
190 wollaston meniscus
210 trioplan (triplet)
127 factory speed graphic lens (tessar)
less used
210 fujinar (tessar)
90 nikkor-sw
unused:
210 nikkor (plasmat)
210 xenar (tessar)
sold due to lack of use:
75 nikkor-sw
75/90/150 for 4x5
My website Flickr
"There is little or no ‘reality’ in the blacks, grays and whites of either the informational or expressive black-and-white image" -Ansel Adams
210 for at least 50% of my pictures (it is the lens I "see best" at.
305 for 30%, when I can't get close enough for the 210.
135 for 20% when wider seems better.
90 for 5% when really wide seems really better.
...wait, that's 105%. Vinny can't count; I can't add.
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