The early work with her family and her later work of her husband are really good. Some of the stuff in the middle is disappointing. Her work with cadavers was calculated to be shocking but it had the reverse effect and was repulsive and almost cost her dearly. I get the impression that when she couldn't take the same pictures of her family since her children were maturing, and started to get tired of it all by their own admission, she didn't know what else to do. In a lot of interviews I have seen of her she comes across as a little insecure when she talks about the non-family images. I think all of the studied affectation in her imagery stems from that insecurity.
Bookmarks