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Thread: Pointers on 5x7

  1. #1

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    Pointers on 5x7

    Hey all, I'm thinking about selling my 8x10 setup and in the future acquiring a 5x7. My whole reasoning for the 8x10 in the first place was to make contact prints and I feel like I've fulfilled that original interest. I've switched cameras frequently in the past few years but I always go back to the 35mm aspect ratio and feel most comfortable with it. So my question for you 5x7 people, what do you like about it? What do you shoot with it? I'm the type of photographer who likes to walk around looking for things, and my 810 setup isn't built for that kind of work. I really don't like driving somewhere and setting up camera, then driving to another place to do the same thing. I like the ability to walk around, and also the price of 8x10 is getting to be an issue. I've used 4x5 in the past and didn't like the size of the GG and negatives, and I'm thinking 5x7 might be that middle ground of portability and image quality I'm looking for. Any input on the 5x7 is appreciated!

  2. #2
    Steve Smith's Avatar
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    Re: Pointers on 5x7

    I have nothing to offer but am interested in the replies you get. I am currently building a 5x4 camera but I have a set of rectangular bellows which would be perfect for a horizontal only 5x7 camera (most of the CAD is drawn and CNC files written already!). I have also been given a couple of 5x7 holders.

    I would be interested to know what film is available in 5x7 compared with 5x4. I also like the idea of using 5x7 paper as a negative and contact printing and also using 5x7 film to contact print to albumen. I think 5x4 is just a bit too small for contacts.


    Steve.

  3. #3

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    Re: Pointers on 5x7

    Quote Originally Posted by Noah B View Post
    Hey all, I'm thinking about selling my 8x10 setup and in the future acquiring a 5x7. My whole reasoning for the 8x10 in the first place was to make contact prints and I feel like I've fulfilled that original interest. I've switched cameras frequently in the past few years but I always go back to the 35mm aspect ratio and feel most comfortable with it. So my question for you 5x7 people, what do you like about it? What do you shoot with it? I'm the type of photographer who likes to walk around looking for things, and my 810 setup isn't built for that kind of work. I really don't like driving somewhere and setting up camera, then driving to another place to do the same thing. I like the ability to walk around, and also the price of 8x10 is getting to be an issue. I've used 4x5 in the past and didn't like the size of the GG and negatives, and I'm thinking 5x7 might be that middle ground of portability and image quality I'm looking for. Any input on the 5x7 is appreciated!
    I don't have much experience with 5x7, but many people like it for just the reasons you mentioned.
    One man's Mede is another man's Persian.

  4. #4
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    Re: Pointers on 5x7

    I like contact prints in any and all sizes. But for my taste, whole plate is the size at which contact prints no longer shout "look how small I am!" I use both formats among others, but I prefer WP as my main, general-purpose format.

    You can assemble a very compact and lightweight 5x7 walking-around kit with a camera like the Nagaoka. It's a bit harder with WP, but with a carefully chosen kit the savings in size/weight compared to 8x10 can still be very substantial. I can take my WP Century, a handful of old Eastman wooden holders and a small lens in Copal 1, and the kit ends up being not a whole lot heavier than what I'll carry for 5x7. On the other hand, 5x7 equipment and film are certainly much easier to lay your hands on if you want to be able to get them without advance planning.

    Where the esthetic (too small) and logistical (too large/heavy, too much of a nuisance to buy) break-points are for you, only you can decide.

  5. #5

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    Re: Pointers on 5x7

    A 5x7 contact is just perfect, I make them all the time. 4x5 is a little small. 8x10 is too boxy. Nowdays I find 35mm/6x9 just a tiny bit long and 5x7 just right. I have a Nagaoka which is as light as a light weight 4x5. I got it so I could go back to walking around with the camera over my shoulder like I did with 4x5. Just yesterday I got a berlebach with built in leveling ball to replcae a very bent and worn Induro/410 geared head. I would say it makes for a perfect combination, the wide upper legs are very comfortable on the shoulder and the ball saves weight and gives plenty of movement. I find that photographing to make a 5x7 contact print takes thought, you need to simplify and pare down compositions. But you can always scan and sharpen to make digital negatives for highly detailed compositions.
    Film is ok for B&W, FP4 and HP5 are stock items, Delta 100 is available from time to time in a special order or at least in the ULF order window. TriX is often in stock at B&H, Portra 160 is often in stock too but very expensive and only available in 50 sheet boxes. A 5x7 with a 4x5 reducing back will allow you to do 4x5 colour less expensivly and to use film that is not easily available such as tmax 400 and acros.
    Its really a good size to develop in a tray because its not too floppy and big nor small and stiff.
    5x7 scans exceptionally well on a v700 with a betterscanning holder, even dry but especially wet mounted, and allows you to make very good prints without investing heavily in drum scanners etc.
    Some very good lenses are available inexpensivly to cover 5x7, a 210 Sironar N is inexpensive and very hard to better and a 210mm tessar is lovely and cheap.
    I fit my 5x7, holders and 2 lenses with lunch and rain gear in a small inexpensive 28l bacpack so could go anywhere I could comfortably walk or ride a bike in a day. You can pack a modest 5x7 kit anywhere you can take a 4x5 or DSLR.
    Since I got a 5x7 I have not done more than a sheet or two of 4x5 (except colour and instant film), I tried 8x10 with a back and home built camera but was not enthusiastic, but 11x14 is really very similar to 5x7, since the holder cuts about 1/2 inch off the long side of the film making making it 10.5x14. On balance I think an 10x14 digital negative from a 5x7 neg has some significant adavntages over an 11x14 camera negative.
    So I would say go for 5x7. An modern one will be portable and fine, but a 2D is heavy to walk around with and a B&J sits on the portability fence between modern and old.

  6. #6
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    Re: Pointers on 5x7

    Quote Originally Posted by mdm View Post
    I have a Nagaoka which is as light as a light weight 4x5.... Some very good lenses are available inexpensivly to cover 5x7, a 210 Sironar N is inexpensive and very hard to better...
    FWIW, my own favorite camera/lens set for walking around with 5x7 is a Nagaoka with a 210 Sironar-N.

  7. #7

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    Re: Pointers on 5x7

    There's an ongoing thread on this forum with lots of 5x7 work on it: In Praise of 5x7.

    If you're looking for some input, have a peek at some "output"

  8. #8

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    Re: Pointers on 5x7

    Brah, one of the most important things I've found with 5x7 is to take the lens cap off.
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  9. #9
    funkadelic
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    Re: Pointers on 5x7

    Noah,
    I like it for all the reasons you mention, as well as Oren's. While his limit may be WP, 5x7 is my "smallest contact print that still looks big enough to be a worthwhile contact print".
    I'll be in your neighborhood for a day or two next month (not sure exactly what dates yet). Send me a PM or an email if you want to take mine for a test drive while I'm there. I've got plenty of holders and film. If you have a darkroom, I'd be happy to oblige.
    Chris

  10. #10

    Re: Pointers on 5x7

    As with any format there is an element of compromise involved, but I do happen to agree with your "middle ground" summation. Personally, it fits my needs very well - better than either 4x5 or 8x10, for essentially the same reasons that you mentioned (with the exception of aspect ratio, which I'm a bit indifferent towards). All in all, the image quality to weight ratio is extremely good and it's also pretty affordable given the large number of lenses that will cover 5x7. I personally use a Shen Hao FCL57-A and find it to be no problem for hiking double-digit milages on rugged terrain.

    I'd say the greatest downside at the moment is the dwindling film selection. I purchased 1000 sheets of Delta 100 for a project I'm working on, and I have no idea what will be available (if anything) 3 years down the road when I wrap the project up. Personally, I'd weigh that in to my purchasing decision and probably buy a bunch of film up front now and freeze it. Best of luck.

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