A question about two very different colour pallettes:
1. Elger Esser - in his LF work, does anyone know how he goes about getting that very transparent, very yellow/warm look to his prints? Almost an antique colour look.
2. Not usually LF - but on certain of Annie Liebowitz portraits (usually semi-environmental) she has a very cold somewhat blue/green look, but still with failry rich colours (almost like old 1970's ektachrome 400) - any idea what she's doing for that
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