Both Shore and Misrach used 8x10 for most of their early or "classic" work. Neither could
focus a view camera worth a damn, and I don't think either printed their own color work.
I was friends of the folks who printed Misrach's since he lives here in the neighborhood. Interesting images if you like that old washed-out Vericolor look on old Kodak paper. Getting those same kinds of colors (which Meyerowitz was a master of too) would be a
bit tricky since color neg film has "improved" so much. You might try overexposing Portra
160 to get it a little muddier, then printing it odd.