I saw other ones too It just seems to be that when you working with LF - you stop controlling things like chopped off limbs and general light direction. I am not sure why, may be its subconcious joy of seeing things on groundglass and general excitement, or may be its hope that film will hold contrast changes better.
PS: I do exactly same , when bringing both LF and RZ67 to shoot, and can do polaroids on 67 just for the hell of it, to engage people in conversations. And then i often do comparition of shots on digital and on film, picking one i like the best for portraits.
I hear you Sergei
It also appears to have very visible grain. How did you get that with a LF original?
I like it a lot, just wondering how it was done. Digital post processing? Some kind of texture mask?
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