Michael,
I thought that color negative films have less range than that. This is new data to me and it's very interesting.
Based on that, it sounds like I can expose 160 Porta similarly to the way I expose Tri-X. That is, I can put the shadows that I want to carry detail on Zone III, and let the hightlights fall where they may.
I can do that because I drum scan the negatives. The scanner can always capture the highlights no matter how dense, and both films have 10 or more stops of exposure range beyond the toe. Nice.
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