Is the chrome Sinar P an earlier model of the "P" series? Do the later "P" parts fit? Is there anything "wrong" to watch for in the chrome model?
Thanks,
Is the chrome Sinar P an earlier model of the "P" series? Do the later "P" parts fit? Is there anything "wrong" to watch for in the chrome model?
Thanks,
By Chrome, do you mean silver coloured?
That's the Sinar P. The P2 is black, and has some improved dials, but works the same and is otherwise identical.
I have a Sinar P, and unless a P2 falls from the sky, have no plan to "upgrade", since the differences are almost entirely cosmetic.
After long use, some of the gears can become loose or slippery. I had some of those replaced and lubricated. Now it's good for another several decades.
Colour aside, I believe the P2s came with metering backs while the Ps had standard, non-metering backs. The P2s had rubberised knobs & handles and a couple of other control tweaks.
Like Ken, my standards are all the original Sinar P and I have no reason to even consider changing. To answer your other question, yes like pretty much all of the Sinar system you can mix and match P and P2 parts. I use the P2 Rail clamps - just like the rubber grip better.
Everything is interchangable. Since the silver cameras are older and were
in production for quite awhile, it's simply an issue of how much wear and
tear has accumulated from usage over the years. If everything is smooth
and locks down well, and there are no signs or abuse or excessive wear,
the camera should serve you very well. Just beware of "chop shop" cameras which might have been spliced together with misc odd and ends
of worn units. But older silver cameras which have been pampered in a
studio are virtually as good as a brand new one. These things were built
to last.
Thanks for all the information! It is actually a great time to be shooting film and buying film cameras.
Now this is the problem...the more y'all keep talking about Sinar P's and P2's the more I want 2! (or 1.5 I guess). One for 4x5 and one for 8x10 (or a front standard and a 4x5 and 8x10 back).....not that I have any complaints about my F1/F2 setup...but the P series is really nice. Not light, but from the ones I've messed with they are precise and utterly primo!
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http://adamsatushek.com
I just made a deal for a P kit with 8x10 and 4x5, and rounded it out with a very nice metering back for the 4x5 (the only missing bit). I'm an ardent lover of the RB67 line, and the Sinar F/P series strikes me as a LF version of the RB line, with even more precision and modularity, and a robust used market. I'm very much looking forward to taking possession of the kit, and putting it to work.
The camera I was looking at was described as "chrome." Perhaps it is more correct to refer to the color as silver. Mr. Satushek's point of film camera buying addiction is well taken. I think film cameras will become more and more affordable as the market continues to swing to digital. Film cameras once worth thousands are now worth only hundreds. Thanks to everyone on helping me understand what the silver/chome Sinar actually is.
Jerry
I don't know about that - seems like prices have been creeping up the last couple of years. I think that at this point in time anybody still using film is going out of their way to use it - there probably isn't a massive wave of "digital swing" left. Short of a total shutdown of film production or film prices that are so prohibitive that nobody uses it I wouldn't count on film camera prices dropping all that much from current levels. Moral of the story - if you find something that you really want and gotta have I wouldn't hold off due to the assumption that prices will be much lower down the line (although I hope I am wrong - there is still a lot of film equipment WAY out of my financial reach)
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