Louie,
I used to be one of those who preferred a 135 over a 150 as my standard lens. Then I discovered that framing a scene with the 135 and then taking one long pace backward gave me the same cropping on a 150. Go figure. Either works fine, although I hate the practice of calling them a "normal" lens. To me, that implies that it's a focal length that you should use. Only if it fits your vision.
When I was in school, if I remember back that far, Timothy O'Sullivan may have been one of the instructors, we were told/ordered to start with a 210 and build our lens system only after we really knew what that focal length would do. I actually still suggest the same thing to my students. At least those who will listen.
I agree with Frank et al on shorter lenses. I have a 65 and a 75 and rarely use them, they just seem to include too much. Then maybe I just haven't used them enough to understand how/when to use them. David Muench sure does nice stuff with them.
Don't let all of this information paralyze you, if you have a lens, any lens, load holders, grab the camera and go shoot. It's the only way you'll make sense of all of our pontificating. (Instead of pontificating we too should be out shooting perhaps????)
JD
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