1988 150mm Caltar ( Rodenstock ) IIN, purchased new. I have used it on my Crown Graphic, Wisner Traditional and Sinar Norma, and have no plans to switch at that focal length. It is economical,multicoated, very sharp, and has good coverage for the intended use, mostly landscapes.
jwanerman
My first was a Goerz 14" Artar that remains the sharpest lens in my kit to date. Love the standard perspective on 8x10, and hoping to someday mount this beauty on something a little larger.
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250mm Wide Field Ektar, which I bought in 1996 for use on 8x10. I found it a bit flat and flarey for my taste, and pretty quickly moved on to a 240 Apo-Sironar-S. I still own it, though.
210mm Schneider APO Symmar bought from Calumet, the one and only LF lens I've bought new. Used it extensively for about ten years, sold it just recently as I cut back on my LF work.
Brian Ellis
Before you criticize someone, walk a mile in their shoes. That way when you do criticize them you'll be
a mile away and you'll have their shoes.
My first, and still the one almost exclusively used on my 4x5 sinar was a 150mm f6.3 Fujinon - a tiny lens but offers enough space to learn about movements with a monorail.. The next is a 240mm G Claron, waiting for it's 5x7 camera
First lens was a new Schneider 90/8 SA bundled with the Ebony RSW45 I got from Robert White. This was my first venture into LF.
When I added the 150/5.6 I realised the 90 was very dark and so replaced it as part of a part.ex deal for the Schneider 80/4.5 SSXL which I still use today.
A borrowed 4x5 Calumet metal monorail with a 135mm Ilex Paragon in an unreliable shutter, not a great combo but it gave me enough direction to keep going into LF formats :-)
When I moved up from medium format i went with the Picker twins
120 Super Angulon (or was it 121???)
210 Symmar S
Fred had a lot of influence over me in the 80's. I'd rush home if the wife (ex actually) called and said the newsletter came in the mail.
bob
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