Originally Posted by
Phil Hudson
I wonder if there is a real difference between comparable (say 100/102 degree) Rodenstock and Schneider wide angle designs and the way that they deal with light fall-off, or whether Rodenstock market the effectiveness of a common design feature more effectively:
"With the Grandagon-N, all the problems which occur in connection with large image angles have been ideally taken care of: The distortion has been reduced to a small residual value; the light fall-off towards the edges has been greatly reduced thanks to an optical trick (“pupil distortion” = the entrance pupil diameter increases when viewing at an angle); the sharpness sets standards for this class of lenses.
I wonder if this "optical trick" is also inherent in the Super-Angulon design?
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