Microcontrast
Diffraction
Circle of Confusion
Film Flatness
Reciprocity failure
Optimized for 1:1 (re: lenses)
"3D Look" (re: lenses)
Rendering (re: lenses)
Grain aliasing
Tripod stability
None of the above—each is a real concern
Other
Available light to me is NOT lighting equipment that I could drag in. It is the light found at the location where I am shooting. The example was taken using a tripod, no additional lighting was brought in by me or used by me. Any troglodyte can drag around lighting equipment, it takes a REAL photographer to use only what is available at the scene! ROTFLMAOHMHOTD!!!
Steve
Nothing beats a great piece of glass!
I leave the digital work for the urologists and proctologists.
I guess then John Sexton is not a photographer. He tells a story of pulling a flash from his bag to use as a fill light. As he says, "It's available light. It was in my camera bag."
Buzzword
Robert, I knew that I could count on you to cover my back.
Steve
Nothing beats a great piece of glass!
I leave the digital work for the urologists and proctologists.
Shutterbug.
There are zooms, varifocals and fixed focal lengths. ALL are prime lenses, when you add a supplementary lens, such as a closeup diopter, or reverse another lens for an ultra closeup. Single-focal-length lenses were simply "lenses" until somebody stole or misused a perfectly good technical term for something it didn't mean.
bokay
Bookmarks