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Thread: Paper negatives

  1. #391

    Join Date
    Nov 2010
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    111

    Thumbs up Re: Paper negatives

    Quote Originally Posted by lkkang View Post









    8x10 Tachihara,
    14" Goerz Goetar F/8
    ILFORD RC Multigrade Glossy Paper.
    ILFORD PQ Universal developer,
    EPSON V700 scan and inverted.

    Billy
    Wow, the third picture touches the soul! What a wonderful lighting- looks like IR filter was used.

  2. #392

    Join Date
    Jan 2010
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    Singapore
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    99

    Re: Paper negatives

    thanks Jim, appreciated.

    Quote Originally Posted by Jim Cole View Post
    Billy,

    The third one is lovely.

    thanks zenny, no IR filter, nothing is infront of the lens.

    Quote Originally Posted by zenny View Post
    Wow, the third picture touches the soul! What a wonderful lighting- looks like IR filter was used.

  3. #393

    Join Date
    Nov 2011
    Posts
    181

    Re: Paper negatives

    Ross of London
    Rapid Symmetrical 61/4x81/2
    Wide open (f/6.6?)
    8x10 Agfa paper

  4. #394
    Bill Kostelec
    Join Date
    Oct 2013
    Location
    Spokane, Washington
    Posts
    152

    Re: Paper negatives

    Click image for larger version. 

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ID:	104111 This photo was taken with my C-1, a 21 inch Kodak f10 anastigmat at 2 seonds with a coffee mug lens cap shutter. Since then I have acquired a Packard Ideal shutter. I used Ilford Multigrade RC paper rated at ASA 3. The ortho sensitivity of the paper really added to the image. I contact printed the negative on another sheet of the Ilford paper. I have noticed that I must always trim the paper to fit into the film holders. I am thinking that this piece of junk lens (scratched and chipped) will cover 16X20 and am planning a camera project to shoot 16X20 paper negs.

  5. #395

    Re: Paper negatives

    Dear Mr Gandofil,

    I just laid my hands on a nice 18x24 camera.. but unfortunately its really tricky to find film in this format.
    I could get 8x10 mags but I kinda like the 18x24 longer look, so decided to experiment on paper..
    And so I quickly found You!

    I really like your portraits and as I can see, you also shoot in natural light.
    Can I ask you, how you do it?
    I mean the papers (I tried) are extremely slow, usually I have to take 4-8-10-30 sec exposures.

    Could you share some experience??

  6. #396

    Re: Paper negatives

    Click image for larger version. 

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    a studio portrait at around iso 3.. bad scan...
    still no clue how to shoot portraits at sunlight on paper

  7. #397
    John Olsen
    Join Date
    Jan 2012
    Location
    Madison, WI
    Posts
    1,103

    Re: Paper negatives

    The weather's cold so I'm back inside and returning to the paper negative game. This portrait is on 8x10 Ilford MG RC, shot with a 360 mm Rodenstock lens under hot lights. Exposure was at f8 for 3s. Developed with Dektol 1:2. It seems that the paper speed with tungsten lighting is a little less than 3 ISO, whereas with sunlight it seemed a little more than 3. This is from a PS reversal of the negative with minor brightening and no sharpening adjustment.
    My contact prints onto Ilford MG FB all are blurry. The tones are good but I can't seem to get a sharp contact print. What's the trick here? My film contact prints are fine, but they're always onto RC paper. Your suggestions would be appreciated.
    Click image for larger version. 

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    Last edited by John Olsen; 11-Dec-2013 at 11:20. Reason: added data

  8. #398
    John Olsen
    Join Date
    Jan 2012
    Location
    Madison, WI
    Posts
    1,103

    Re: Paper negatives

    Another try with the Ilford RC paper negatives. Lighting ratios adjusted a little from the first one, but basically as with previous post. This is fun, and cheap at that. Next I think I'll try using the Ilford contrast filters for a comparison.

    Click image for larger version. 

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  9. #399
    JoeV's Avatar
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    Oct 2006
    Location
    Albuquerque, NM, USA
    Posts
    242

    Re: Paper negatives

    For sharp contact prints with paper negatives I always make sure to apply plenty of pressure onto the cover glass. Rather than using a contact printing frame, I use a thick sheet of window glass over sized so I can apply plenty of pressure along the edges with my hands. I also use the light from my condensor enlarger to contact print by, this might help in getting a bit more sharpness with a collimated beam of light, rather than a more diffused light source.

    By the way, your portraits are wonderful, good work.

    ~Joe

    PS- Since you rate the paper negatives at around ISO3, why not try Harman Direct Positive Paper and dispense with the contact printing altogether.
    The photograph and the thing being photographed are not the same thing.

  10. #400

    Join Date
    Jul 2007
    Location
    Denmark, Europe
    Posts
    2,165

    Re: Paper negatives

    Quote Originally Posted by AldenDarroch View Post
    Dear Mr Gandofil,

    I just laid my hands on a nice 18x24 camera.. but unfortunately its really tricky to find film in this format.
    I could get 8x10 mags but I kinda like the 18x24 longer look, so decided to experiment on paper..
    And so I quickly found You!

    I really like your portraits and as I can see, you also shoot in natural light.
    Can I ask you, how you do it?
    I mean the papers (I tried) are extremely slow, usually I have to take 4-8-10-30 sec exposures.

    Could you share some experience??
    I missed this post - sorry about that....

    18x24 is easy to find - but as I don't know where you're located I don't know what happens in your area... (I'm in Europe, and the 18x24 is an old european size)

    I actually mostly use flash for my paper negative portraits. I rate my paper at about 6-8iso (Foma papers are great)

    If you tell me where you're from I could mayme give you some links to where to fine the negs... (I love that size too!)

    All the best
    emil

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