This is certainly not my cup of tea. I draw the line at stereo and 360 degree contraptions!
Are you trying to tell me that each part image has been "composed" ?
This is certainly not my cup of tea. I draw the line at stereo and 360 degree contraptions!
Are you trying to tell me that each part image has been "composed" ?
I'm still not quite grasping how this thing works - I think a short video would be very instructional in a way that text could never adequately address.
hey scott, it looks like a lens that takes the large central image
and each of the others is taken with a pinhole.
looks tricky to get all the different exposures to be around
the same exposure range, and like a lot of fun.
It works by using one taking lens and seven additional pinholes for the total of eight segmented images.
The individual segmented images do not need to be of the same scene because each subsequent segment will be a separate exposure. The "breadboard" serves to provide the demarcation between exposures.
Great and quite creative idea.
Oops John beat me to it.
Very cool. I like the results.
Mark Woods
Large Format B&W
Cinematography Mentor at the American Film Institute
Past President of the Pasadena Society of Artists
Director of Photography
Pasadena, CA
www.markwoods.com
It is cool, and…*very, very different. I think I like it. It would be fun to work with some direct positive paper in this rig.
Michael Cienfuegos
Eric,
Pretty cool! Are you focusing only once? And then swapping lens positions?
Same neg, yes? And "rooms-of-camera" close to negative plane, yes?
Great creativity!
Hank
This ignorant barbarian sees an exteme case of technique-driven photography. The fixed dividers seem very constraining.
This mad scientist can imagine Eric cackling happily to himself as he had the idea and realized it in wood and metal and who knows what other materials. I've cackled to myself occasionally ... He must have had a lot of fun thinking it through and even more joie de faire.
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