I re-learned the art of making prints in the darkroom thanks to his book...this is a MUST have in your reference library...just buy it!!!
Best,Peter
I re-learned the art of making prints in the darkroom thanks to his book...this is a MUST have in your reference library...just buy it!!!
Best,Peter
I finally found the time to read it. In a word excellent. More information and somewhat better presentation than the earlier edition.
A must for every photographers library.
Does anyone know if it is available in a kindle or nook version ?
Oh no--another book to buy. Bruce Barnbaum has some of the flat out best prints I've ever seen.
Just got my copy ordered months ago from Amazon.
From articles in Camera & Darkroom, and Darkroom Techniques I have always thought of him as an excellent pedagogue and printer but a medicore photographer.
Boy was I wrong!
The illustrations in this book are INSPIRING! Makes me wonder why Barnbaum isn't thought of in the class of St. Ansel, Paul Caponigro, etc.
Wilhelm (Sarasota)
Bruce Barnbaum's book and photos are great! He doesn't beat around the bush with a bunch of art speak, he gets right to the point. Sadly, I don't think the contemporary art world is very kind to work that doesn't have some human element to it. I hope the best for Bruce and appreciate his book.
Thad Gerheim
Website: http:/thadgerheimgallery.com
I'm disappointed with the darkroom concocted landscapes that are presented as actual landscapes, sort of like a taxidermist trying to fool you into believing that that a jackalope (a jack rabbit with antelope horns) is a real animal. If you have an understanding of landscapes, those photos will simply look phony. For example, don't tell me that the dunes in Moonrise over cliffs & dunes aren't spliced in from somewhere else. See also Drapery cliffs and cracked mud, and many other examples.
"If I did not have the opportunity, the strength, or the courage to get to a particularly rugged landscape with my camera equipment, perhaps I can create an equally rugged scene from two or more negatives in the darkroom"...
"there is an intended deception" --Barnbaum
Is it really necessary for a skilled photographer to resort to intentional deception, and then to present the deception as a real photo?
What's a "real" photograph? We deceive when we dodge and burn, or use bleach, do we not?Is it really necessary for a skilled photographer to resort to intentional deception, and then to present the deception as a real photo?
YouTube Channel: https://www.youtube.com/user/andy8x10
Flickr Site: https://www.flickr.com/photos/62974341@N02/
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I have the 1984 edition -- I'll have to re-bind it someday.
Andrew nailed it -- we deceive the minute we isolate a portion of the landscape from the totality of reality, rob the scene of its color, and the like.
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