Excellent Robert! I say I don't care what I do to modify or even savage a print as long as the effect helps articulate what I want to say about the print. If I need to smear the emulsion, reticulate the neg, accentuate grain, cut the print into pieces and rearrange, even inkjet print, I don't really care as long as I accomplish my objective and convey my vision. I think all fine artists have employed novel techniques in their work and I'd cite the image manipulation of Picasso as an example.
Nate Potter, Austin TX.
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