Up until now my B&W printing has been done with my Omega D2V enlarger and the utilization of contrast masking and advance printing techniques only in traditional silver and in lith printing. My interest in learning how to set-up and print a high quality contact print has arisen from my switch to 8x10 formatwhich has caused me to fall in love with the BIG negative attributes. At this time, my interest is primarily with silver gelatin, so having a printing method (lighting source) for alternative processes is not critical (certainly optional) but what I am after is the very best quality silver gelatin contact printing set-up and process. I am obviously new to contact printing and my only light source presently would come from my D2V enlarger, but I am open to any light source options that provides the best luminous quality.
Here is what I have to work with: I have a new condition "Ultimate" brand 14x17 contact printing easel and my enlarger light source.
Here are my so called, "stupid questions" which might be answered by someone with much more experience than myself.
1. If my interest is in producing exhibition quality contact prints "silver gelatin" do I need a particular light source for best results?
2. Does light improve when focusable or would just an overhead tungsten light "soft light" or "hard light" provide the same results with a silver gelatin contact print?
3. Would the investment in a UV lighting system for any future interest in alternative processing be counter productive with my need to print silver prints? I am thinking that two separate "dedicated" workstations (light source and printer) might be best or can one method work well for both silver and alternative printing methods?
Thanks to everyone for your time and valued assistance. I will glean your thoughts and recommendations to set-up a contact printing workstation in my darkroom.
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