God is in the details — or is it the Devil?

[Heroique]

When I examine my transparencies under a loupe, I notice from time to time details which escaped me when I was looking at the scene.

I recently re-read QT’s “A closer look at a large format photo” at the LF Home Page, and it occurred to me that it might be fun to share hidden details from deep, deep within our film – details that can impress us, or depress us.

I’d enjoy seeing your discoveries, and hearing your stories…

What I mean are the tiny, dramatic details that enjoy a secret life of their own – well beyond our initial awareness – until a careful (and often belated) inspection of the LF film brings them to our sudden attention, along with an unexpected response – “Well I’ll be, just look at that!”

Details, I might add, that “aren’t there” in the field, but suddenly assert a meaningful presence when, later, you inspect the film under a loupe, or crop or spot scans in Photoshop. Or, maybe your curious viewer discovers them. Maybe these details “aren’t there” until he or she – nose against the print, transparency, or computer screen – searches between the grass blades, and discovers something tiny that strengthens your composition, weakens it, or adds a new, enduring dimension.

What can you share?

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Here’s an example – a Devil in the details. Unhappily, this devil is all too common in my “pristine” landscapes. The closer I look at shots like this, the more often I find him lurking … in the form of trash. This high-elevation mountain creek (Cascade Mtns, Wash. state) could scarcely be more remote. Not a road for miles. Yet here’s what I found in the creek-side debris – construction plywood!

Perhaps there’s a Home Depot at the summit.

Tachi 4x5
Fuji A 240mm/9
TMax-100 (in TMax rs)
Epson 4990/Epson Scan

[Struan Gray]

I only have a low resolution scan of this photo of the farmhouse we stay at in Northwest Scotland. It was one of my first LF photos (Neg. no. 005). I did a scan at max resolution on my Epson and was astonished to find that I could read the number plate on the car without effort. Then, when spotting the background, there seemed to be a large number of small white spots, only a few pixels, or a single pixel, in size. Out came the loupe, clearly to reveal that I what had been spotting out was not dust, but sheep.

[Vaughn]

You will have to take my word about this because they are too small to show up on the screen -- though I see them on the prints.

Two climbers, heading up El Capitan are somewhere in that circle. I took a previous image of this snag when it was in full sun, about 20 minutes to 30 minutes earlier. The small dots that are the climbers are further up in the second image (the one below).

[cjbroadbent]

Do you remove Electric grid poles from your landscapes?
Here is a T-pin doing it's job in a 4x5 TMX. I leave them in.

[Joe O'Hara]

I only have a low resolution scan of this photo of the farmhouse we stay at in Northwest Scotland. It was one of my first LF photos (Neg. no. 005). I did a scan at max resolution on my Epson and was astonished to find that I could read the number plate on the car without effort. Then, when spotting the background, there seemed to be a large number of small white spots, only a few pixels, or a single pixel, in size. Out came the loupe, clearly to reveal that I what had been spotting out was not dust, but sheep.

That is just as well. Sheep should always be spotted out.

[Struan Gray]

Sheep should always be spotted out.

That's a tricky one. The clearances may still rankle, and some of the more medieval aspects of crofter's rights certainly do, but sheep farming has been the highland heritage for many generations now. I don't know anyone who finds much attraction in going back to raising black cattle off the grid.

Which relates to Christopher's question about telegraph poles. Scotland, particularly the part of the Northwest I haunt, is going through a massive experimental ecology project at present, as birch forests are planted and grazing restricted to try and regenerate breeding habitats for birds and rare mammals. Deer fences are going up everywhere, and their support poles catch the fading light perfectly at sunset - our local mountains look like they're wearing lace undies, or cobwebs, if you prefer. One reason I lug 4x5 around those hills is that 6x6 doesn't quite capture enough detail to show what the mind sees.

[Ulrich Drolshagen]

I only have a low resolution scan of this photo of the farmhouse we stay at in Northwest Scotland.

Ah, Achnahaird farm. We've had a nice week there last July.

Ulrich

[Struan Gray]

Ah, Achnahaird farm. We've had a nice week there last July.

Either a) we just missed you, or b) we ignored you :-)

We'll be in Cul Mor again soon - Coigach gets under your skin.

[Ulrich Drolshagen]

Either a) we just missed you, or b) we ignored you :-)

I've thought about it. It's a pity I didn't know by then but I think at least your family did live next door (may be you haven't been there for some days?). We were the couple with the border collie. In fact I am sure I had a little chat with your wife. She rescued our drying clothes from the rain while we had our little walk onto Sgurr an Fhiedhleir.
So greetings to your wife from me.

Ulrich

[Struan Gray]

Greetings conveyed :-)

I was away for a while, visiting my parents. I feel a little less guilty for not having spotted a fellow LF-er.