At the risk of suffering the attacks so many people do when asking innocent digital questions on this forum, here goes:
I am a DEDICATED large format photographer. I pretty much always use HP5 and pyro, and sometimes TMX when I have to use Readyloads.
Here's the question: I no longer have a full darkroom. I process film in the sink and scan it or send it to a lab for someone else to print. About 90% of my work is scanned and printed on an Epson 2000p.
Do you think it matters any more if I still use pyro? If I developed my film in XTOL or something far safer, would a final digital outpout print look any different?
Maybe what I'm really asking is what you have learned, found, or tested that resulted in your adjusting your photography for digital printing? We always tested films and developers for specific papers or light heads. But what film/developer combinations work best for digital output?
Thanks for whatever insights you can share.
DH
Bookmarks