I scan each negative that I decide to keep and then add data to the scan about when the negative was made, subject, camera, lens, film, exposure and where the physical negative is located. The physical negatives are stored in PrintFile sleeves and are numbered sequentially starting with the number 0001.
This means that I am completely dependent on the database to find a given physical negative and for information about that negative. Consequently, I maintain two copies of the scans/metadata on two different hard drives and keep the hard drives in two different buildings.
I use Adobe Photoshop's scheme to input the information on the negatives, which is based on standards set by the International Press Telecommunications Council and the Dublin Core Metadata Initiative. The scheme uses Adobe's Extensible Metadata Platform (XMP). Adobe has published a royalty free public license to use this platform. See Creative Commons's view on the license: http://creativecommons.org/weblog/entry/9435
I am working on the assumptions that Adobe's metadata platform will be readable for a long time to come and that it will be easy to import the data into any successor scheme, whether created by Adobe or someone else. This assumption is based on the increasingly widespread use of the platform by media organizations and by the film and sound recording industries.
Are my assumptions well founded or am I being complacent?
I've thought about using Excel, which I'm sure will be readable and importable for a very long time, but Adobe's XMP platform is convenient and provides functionality that Excel doesn't (e.g. attaching the metadata directly to the scan).
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