Kodachrome 64 (in 120 especially)
Kodachrome 64 (in 120 especially)
Kodak Super Panchro-Press Type B
Kodak Super XX
When you get right down to it, I guess I miss the choices in film and paper.
Polaroid film
Quickloads. I have a decent stash, but when they are gone...
Vericolor Type S
My '64 Black Mustang
And, echoing John: My brain! :-)
--P
Preston-Columbia CA
"If you want nice fresh oats, you have to pay a fair price. If you can be satisfied with oats that have already been through the horse; that comes a little cheaper."
Bergger 200
My 1964Corvair
(Still have my 1970 Mustang)
Agfa brovira 5 (or 6) paper = perfect for solarizations
Kodak Technical pan, HIE and EIR. There's no substitute for these.
Oriental Seagull G (the original good stuff from the early 90s)
Polaroid SX70 and Type 55 (and their other sheet films too)
Ektar 25 (though Ektar 100 is a nice substitute)
Cibachrome
Color print materials in general. But I also wish the 3-negative "color" camera had a slightly longer vogue as more would have been built... and instant films.
Where you should be hosting your photos: www.SmugMug.com
I agree with rjphill: I really miss Bergger 4x5 200 film. Great exposure latitude, straight line H&D curve, developed well in HC110 or Rodinal.
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