Abstracts

[austin granger]

Looks like that Morris is a Goldmine.

Roger

I was pretty happy to come across it. There were a lot more possibilities but the sun was setting and I ran out of time. What I really wanted to do was photograph from the inside, but I'm not sure the owner would appreciate that, ha. I think I'll revisit it and see what else I can come up with.

[jp]

I was pretty happy to come across it. There were a lot more possibilities but the sun was setting and I ran out of time. What I really wanted to do was photograph from the inside, but I'm not sure the owner would appreciate that, ha. I think I'll revisit it and see what else I can come up with.

Very nice. It's possible the owner secretly appreciates the decay and interestingness as you do.

[austin granger]

Very nice. It's possible the owner secretly appreciates the decay and interestingness as you do.

Thanks. I visited it again. :-)
Morris, Portland by Austin Granger, on Flickr

[austin granger]

Closer:
Morris, Portland by Austin Granger, on Flickr

[Michael Roberts]

I was hoping you would get to this Austin. This is wonderful. Well seen!

[austin granger]

Thank you Michael, I appreciate that.

[jp]

A stained glass window.. of a snow scene, or heaven or something.

[Corran]

I was trying to soften the emulsion on a couple of photos to experiment with image manipulation. Wasn't working so I started just fooling around and added baking soda. The first negative just disappeared almost instantly. I did it again and pulled it out in time, but it didn't really do what I was hoping for. However after letting it dry it looked cool so I scanned the image and got this:



Now I am pondering this and thinking about ways to control this a bit.

[David Schaller]

That one is great Corran. I look forward to your next attempts.
Dave

[Joe O'Hara]

I like that very much, Corran. If you get the process under control... or figure out what the important variables are,
I hope you'll share your findings with us.