Abstracts

[Harley Goldman]

Very well done. I really like the pattern and comp.

Swamp Sedge, Alexandria Bay

Gelatin-silver photograph on Agfa Classic MCC III VC FB photographic paper, image size 16.3cm X 21.3cm, from a 4x5 Tmax 100 negative exposed in a Tachihara 45GF double extension field view camera fitted with a Voigtlander Heliar 21cm f4.5 lens.

[Harley Goldman]

Excellent, Austin. I like the high contrast presentation and the brick reality anchor at the bottom.

Huntington, Oregon


http://www.flickr.com/photos/austingranger/

[Robbie Bedell]

Thank you JP! Sometimes the hole in the shell to me looks like an eye-hole in a bronze-age warrior's helmut, especially after a few drinks! Robbie

http://robbiebedell.photoshelter.com

[Harley Goldman]

These are masts on sailboats reflected in the Santa Barbara harbor one foggy morning a month or so ago.

Chamonix, Nikkor 300M, Acros, Rollo Pyro

Any comments or critiques would be welcome.

[mike rosenlof]

Harley,

Take a look at your photo upside down. I think that way it looks less like a reflection and maybe more mysterious.

[mike rosenlof]

One of the fun things about truly abstract photographs is that you can have a discussion about what way is "up".

[jcoldslabs]

4x5 Pacemaker Speed Graphic, Aero-Ektar, T-Max 400 (expired 1995)




Jonathan

[jcoldslabs]

Shot today in my basement.

4x5 Pacemaker Speed Graphic, 15cm f/4.5 Zeiss Tessar, T-Max 400 (expired 1995), bellows extension 33cm, four second exposure.




Jonathan

[atlcruiser]

0812 BW 810 10

Deardorff 810
360 Commercial
HP5+ @ 200
Rollo Pyro 12min


0812 BW 810 10.jpg by urbanlandcruiser, on Flickr

[eberry_tapes]

Just realized there was some telephone poles earlier in the thread; loved the Portland fountain shots, too. Here is one that caught my eye, and the first negative (FP4+) I've developed in Caffenol

Crown Graphic, 210mm Fujinon