Film tent vs. Readyloads?

[Dave Aharonian]

I'm going on an extended sea-kayak trip this summer for about 3 months. I've decided to take my Toyo 45AX as I can't bear to shoot the places I'll be in 35mm. My question is has anybody ever used a film changing tent, and if so would you recommend it for extended field use like this. I've considered using Velvia/Provia in quickloads, but for b&w the only thing available is TMX in readyload. I use tri-x or hp5 in PMK and don't feel like changing now. I haven't had good results with TMX in pyro. If a tent works I can avoid the whole quick/readyload issue and stick with my own holders and film combinations. I've also considered using Polariod T55 which I love, but I've heard that keeping it unprocessed for more than a week or so can be detrimental. Any help here is much appreciated!

[paul owen]

Dave, Film changing tents can be used in the field, the only potential problem is dust getting into the tent and then into the film holders. If you are able to maintain an area that is relatively dust-free (say) inside your tent, then a film tent will work. It certainly gives you much more choice as regards film stock. I use the Calumet tent. It is very light, folds flat (approx 50x40x3cms) and has arm holes on the front panel (like the harrison), but unlike the harrison it is fairly cheap! It would be worth getting one and trialling it before your trip - they are handy to have in any eventuality, even if not for this particular trip. Good luck. Paul

[abiggs]

I second the Calumet tent. I haven't had any problems with it, and it is great to use out in the field. Heck, I even use it at home during the day to load my Jobo tanks and load film holders while watching t.v.. And it is a low cost alternative, too. I think I paid around $75 for it 6 months ago.

[Erik Ryberg]

As a card-carrying TMAX-hating, readyload-eschewing, film-tent-owning photographer, it pains me to say this, but wouldn't the readyloads make a whole lot more sense? Sea-kayaking and camping = beaches and sand. This being a trip you probably aren't going to take every year, why take chances? Figure out how to use TMAX, spend the extra money on the readyloads, and save the space, weight, and risk of film holders.

If you really can't stand the thought of changing emulsions, I will say my changing tent works great. But I wouldn't want to bang it around or watch it catch the wind and blow into the surf. Also, they can develop light leaks, and you probably won't know it until you get home and process all your ruined negatives.

On the other hand, I sure did get a lot of light leaks from my old readyloads, too. But I think Kodak may have solved that problem with the new readyloads.

Finally, I think you're totally bonkers to ruin a perfectly good sea-kayak trip with a view camera. I'd throw a converted folder pinhole camera and an old Rolleicord in the sack along with a few pro packs of HP5 and call it good. It's all going to fall into the sea on your last day out anyway.

[Glenn Kroeger]

Dave:

Have you considered Fuji Acros in QuickLoad? Badger carries it. Otherwise, pack a tent. I took a Harrison Pup Tent to Europe... but hostels are not the same as a beach, and trains aint kayaks.

[David Willis]

I have a Calumet Changing Room (by Red Wing)--the silver thing with sleeves on the front. I don't like having the sleeves on the front. I prefer the sleeves on the side like the Photoflex changing room. I went with Calumet because it was on sale, but all things being equal, I'd but the photoflex.

I've never used a Harrison, but I hear many people praising them. It appears that the "tent poles" can be broken down (like tent poles) and the "tent" folded up. That would be much more convenient for packing than Calumet's changing room, which folds into a large flat oval.

If it were me, I'd be tempted to pick up the used Horseman outfit my local shop has and shoot roll film. I know saying that is near blasphemy, but it's smaller, lighter, has 6x7 or 6x9 backs, dust isn't as big of an issue, and the film is easier to pack.

DW

[Peter Free]

Anticipated climatic conditions may affect the answer. For example, I used a changing bag while backpacking above timberline in Colorado. The wind was blowing so hard for part of each day that accumulated static buildup on all surfaces attracted a fair amount of dust to each sheet of film while loading holders. The dry air didn't help. I doubt that a tent, rather than a changing bag, would have made much difference.

[Bill Jefferson]

Dave, While working on a test using T-55, walking up stream in a shallow river, I exposed 60 packets, went home ant found that all packets had blocked. Which is the sheet face sticking to the negative, due to the humidity of the evaporating water the temp was around 90 degs. Save the T-55 for use at a later date. I never gave it a thought as i work with this film daily. Oh Well.

Bill

[scambug]

I suggest a Mamiya 7II w/carbon fiber tripod.

[Roger Marques]

I suggest a Mamiya 6 or 7; or a Fuji 670/690. They are just better tools for the occasion. Have fun!