Nice test, Ed. I did a similar comparison between the Seagull and the Adox MC110, and everything you said fits everything I found. Although I didn't have too much problem with high values. That probably had to do with the negative I was using. And I tend to print by making test strips of the highlights I think are important and then dialing contrast in or out to get the blacks I want. I didn't try bleaching. Thanks for the heads up on that aspect.
An additional thing that I can point out is based on the fact that I used a Zone VI Variable Contrast cold light head. The MC110 responds "more briskly" to changes in filtration than does the Seagull. Moving the hard dial back two notches on the Adox made the print slightly softer, but not dramatically so. I couldn't see any change at all in the Seagull. I'm only guessing at this, but I'm thinking with the Adox, I get about a full extra grade of contrast over the Seagull.
I don't know if that is necessarily a belly buster of a difference. But I think fine-tuning a print is easier--for me anyway. I must say, that I liked the print color of both papers after selenium toning. The Seagull REQUIRES toning as far as I'm concerned. But once it's toned, it's beautiful. Adox looks good with our without.
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