Lachlan.
You miss 100% of the shots you never take. -- Wayne Gretzky
Actually, Frank, more like one of those bicycles made from metal, given the first bicycles were made from timber and improved when someone thought "there's a better product to make them from".
I still have no idea why a field camera wasn't available with a Sinar-sized lens board option prior to this, especially given the range of Sinar-fitting products out there.
Lachlan.
You miss 100% of the shots you never take. -- Wayne Gretzky
While uncommon [unknown?] on 4x5 field cameras, Dick Phillips’ cameras, prior to his producing 4x5s, used a Sinar sized board. He realized most studio photographer used Sinars, so why make them change out lens boards to go into the field? The best part was the boards were made of wood so no machine shop was needed to mount.
Mike
Shame that he didn't continue with the idea.
One thing to note with this camera is that, due to a bigger front standard, it is not lightweight model. That is not to say that it is the Rosanne model (fat and ugly); it is just a little more substantial than the Chamonix I handled yesterday. But it can do a lot more than the Cham, so swings'n'roundabouts.
Lachlan.
You miss 100% of the shots you never take. -- Wayne Gretzky
Lachlan.
You miss 100% of the shots you never take. -- Wayne Gretzky
Dear Lachlan;
Is the metal hardware on your camera gold anodized or did you shoot the camera with a warming filter or gold reflector? Have you gotten to use the camera yet and if so how rigid is it fully extended compared to the Chamonix? The camera is just beautiful and its versatility would be perfect for 99% of the studio work I do. Have you found anything you would change in its performance or design?
Thank you for your review and the great pictures.
Denise Libby
Hi, Denise.
I think that it's a play of the light; more the colour balance of the (yuk) digital camera that I used. Drop me a PM and let me know where you're based; I might be in that neck of the woods soon and can show you (i.e. I travel a lot!!)
To be honest, I wouldn't change anything except the ground glass. As per usual, the Chinese glass is not very good. I'm thinking about dropping Mr Maxwell an email...
What lens(es) are you thinking about using on this? As you will see in one of the shots, I have a medium/large Brassie, a Lens Iris and the Sinar Shutter hanging off the end. No worries! I would be reasonably happy to load up a f5.6 300mm Plasmat on this indoors. I think that wind would effect the camera at full extension with a large lens aboard. I might think twice about a 360mm f6.3 at anything closer than infinity. So, to answer your question: I think that this is considerably more stable, mm for mm at the long end, than the same extension on the Chamonix.
One thing that I will say about this in comparison to the Cham is that it is a whole lot quicker to set up and zero. Fundamentally, this is due to a fixed back, but it is also assisted by having the quad extension system. Really a quite ingenious system!
Let me know if I can answer anything else for you.
Lachlan.
You miss 100% of the shots you never take. -- Wayne Gretzky
Lachlan, have you tried installing the Sinar single or double-fold wide-angle bellows? I wonder if they will fit inside the box without interference or distorting the front standard position, using a very short lens.
Rick "curious" Denney
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