ABQ in poor light, read the sign
ABQ in poor light, read the sign
Hi Frank ,, i am glad you mentioned the sign, Penny dropped ha Ha!!Cheers gary
Frank; think is was wise to post your number on a public forum?
david
deardorff 810
300 Fujinon
HP5+ @ 200
rollo pyro 1:2:50 10.5 min
121 BW 810 7.jpg by urbanlandcruiser, on Flickr
david
deardorff 810
360 commercial
HP5+ @ 200
rollo pyro 1:2:50 10.5 min
121 BW 810 11.jpg by urbanlandcruiser, on Flickr
david
My very first 8x10 photograph. 300mm lens, Delta 100. My V700 is out of commission during renovations, so I just held it up to a window and took a digital photograph. (my thumb is at the bottom) :-)
Sean, the thumb makes it!
deardorff 810
360 commercial
HP5+ @ 800
rollo pyro 1:2:50 15.5 min
graflight contraption with 2 #5 press bulbs from camera location
2 bulbs @ 36 feet. GN of 500 per bulb = f22
I like the 810 and flashbulbs. It is a GIANT PITA to frame/focus the image. This is a bit off kilter. I think the back standard was off a bit and it needed to pan left a bit.
121 BW 810 12.jpg by urbanlandcruiser, on Flickr
david
Baum mit Efeu by andi_heuser, on Flickr
Newburgh NY
portra 160 + polarizer
Storm Clouds over the MN Capitol and St Paul Cathedral - 4x5 Portra 400 VC
Yes this is edited. I haven't shot much Portra so I am no expert with it. Here is what Epson Scan gave me after some minor color adjustments:
http://img256.imageshack.us/img256/1681/img388.jpg
Depending on the scan settings and whatnot you can vary the color quite a bit. But the scene was way more orange. I don't think that straight scan is representative of what the Portra negative actually holds. I know Portra is not supposed to be saturated but here is a straight unedited raw file from a D300s:
http://img6.imageshack.us/img6/9784/068svs.jpg
Under-exposed for the sky which increased the saturation a bit but still way more orange than the straight Portra scan. The sky was incredibly orange that evening which is why I don't think the scan is right.
My website Flickr
"There is little or no ‘reality’ in the blacks, grays and whites of either the informational or expressive black-and-white image" -Ansel Adams
Bookmarks