You are welcome anytime but I will not have only two beers.
You are welcome anytime but I will not have only two beers.
Since I posted a previous shot of this pole here, I'll add these to it. I took these today as a kind of test. One is with dead Polaroid Type 54 film from 1991 that I transplanted a new pod into, and the other is a sheet of Plus-X that expired in 1975. Since the Plus-X box was opened when I got it and the sheets were loose, I didn't expect much of anything. Surprisingly, this film is in worse shape than some other expired stuff I've shot from the 40s. You just never know with old film, especially if it happened to sit in a hot attic most of its life. With the right subject this level of 'emulsional chaos' might be just the ticket.
Pacemaker Speed Graphic, 4.25" B&L projection Petzval, films as noted above.
Jonathan
6x17, 90mm Caltar, shot on Rollei Ortho. Warsaw, Poland on the late summer of 2010. The main problem were the people. I don't know why, but everyone, EVERYONE! was up to talk about the latest digital cameras while I was shooting. I am not really interested in the trillion megapixels on those "little dog nail size" stuff!
www.anton-arte.com
No idea why I was photographing here. Just a beat up old area of St Paul.
Chamonix 45n-2
4x5 Tmax 100
180mm Zeiss Tessar @f/22 for 1/4 second
Rodinal 1:25 constant agitation for 4.5 minutes.
My website Flickr
"There is little or no ‘reality’ in the blacks, grays and whites of either the informational or expressive black-and-white image" -Ansel Adams
Sepulveda Dam
Toyo 45A Nikkor M 300mm Ilford Delta 100.
Thanks,
Gabriel
Tulip 1 by DagenErHvid, on Flickr
An abondoned slaughterhouse in Aarhus, Denmark.
Camera: Gandolfi 4*5
Film: Tmax 400 @ 320
Lens: Scneider 150mm 5.6 @ 32
Exposure: 1/60 sec
This morning at the Union Pacific Albina Yard in downtown Portland. I tried a panoramic crop of this, but I like the open sky and foreground better.
Pacemaker Speed Graphic, 15cm f/4.5 Zeiss Tessar wide open, 4x5 T-Max 100 (expired 1999).
Jonathan
Sorry, Jonathan...
But I'm afraid we lost the focus on this one.
If the structure in the foreground is meant to be the subject, there's not enough
of it visible to attract our attention, and we can't tell what it is.
- Leigh
If you believe you can, or you believe you can't... you're right.
We didn't lose the focus on this one, we found it right at the edge of the puddle!Originally Posted by Leigh
It's all about the tension between where your eye wants to go and where the focus leads it. That's my story and I'm sticking to it.
J.
We did kinda lose focus on this one, though, by a hair.
Pacemaker Speed Graphic, 178mm f/2.5 Aero-Ektar, Polaroid Type 55 film (expired 2004).
Jonathan
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