The title says it all. I have 2-shoots set up for SAT and 1 for Monday. All are large format up to 12x20. Craig
The title says it all. I have 2-shoots set up for SAT and 1 for Monday. All are large format up to 12x20. Craig
Did that on Tuesday. She survived.
--Gary
I prefer to wrestle them to the ground and capture them alive.
Bruce Barlow
author of "Finely Focused" and "Exercises in Photographic Composition"
www.brucewbarlow.com
Ha Ha, maybe you need better galsses. Here is a snap from the shoot with my 12x20. AND I'm going to do it again tomorrow. Craig
My heart stopped twice. First from the model, then from the dinky, skinny tripod on which was placed (note I didn't say "mounted"?) such a big heavy camera.
Bruce Barlow
author of "Finely Focused" and "Exercises in Photographic Composition"
www.brucewbarlow.com
I'm curious as to the purpose of the rope on the floor; seems to demarcate something.
Here's the second shoot. White Sands National Monument, different model. Same camera and tripod; a majestic 2500 and my home built 12x20. The tripod is a hernia-making workhorse. The rope in te earlier post did define the near range of the view prior to the models arrival. I also shot a number of 8x10’s during these shoots. Craig
Does look like a Majestic. The standard Majestics ( I think the one shown is one) had aluminum legs. There were steel Majestics. I can't speak for the aluminum ones, but my old steel leg Majestic could hold just about any camera you coould dream of putting on it. A real monster!
I've been at it again. Actually I've had several occations to use the "beast" for some figure work. Craig
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