45SU, Neopan 100, Rodenstock 150S, f45, 1/4sec.
Looking into abandoned house
Just outside of Dateland, Arizona off I-8
It was 106 degrees when shooting, wasn't sure how the film would hold up.
45SU, Neopan 100, Rodenstock 150S, f45, 1/4sec.
Looking into abandoned house
Just outside of Dateland, Arizona off I-8
It was 106 degrees when shooting, wasn't sure how the film would hold up.
Ciaotou Sugar Refinery (defunct), Kaohsiung, Taiwan.
135mm Symmar, Chamonix, Shanghai GP3, HC-110 dilution G
Ciaotou Sugar Refinery by David R Munson, on Flickr
Better view here.
Nice texture and symmetry David. Good to have you back in the U.S.
Thanks Larry! By the way, I'm headed back to Athens for a visit some time this spring!
Shop in Woodbury, Connecticut. Old 4x5 Ektachrome (late 70's or early 80's). No code number on film edge, so can't say exactly which (one sharp V notch and one wide round cornered notch, so probably Ektachrome 64 Pro). Horseman L; Nikkor 150W. Exposure not recorded, but obviously late afternoon.
Scanned with Epson V750 Pro, glassless film holder. Minimal post processing. Some spotting, and cooled off the late PM light just a bit. And yes, it really was that red.
No special storage for 'chromes. They've been in PrintFile pages, in 3-ring binders, in boxes, downstairs in a cool, dry closet at 8500' in Colorado for the past 25-30 years. Pretty good conditions, I guess.
Looking again at the perspective of #2 , I'm beginning to think I must have used a WA. Had both 90 & 65 SW Nikkors at the time - it was probably the 90 on this one.
This an old cabin at a nearby park -- for those interested: 4x5 TMX (EI 100), HC-110 (1:63), a Zone III placement of the first log above the window, N+1 dev, Ilford MGIV selenium 1:10
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