I was thinking about Sandy's VC Mag article on 2 baths. He had a photo of a sunporch or porch (or something similar) with a super broad contrast range. Based on my recent experience, I think that with continuous agitation I would have to use an N- B bath as described above for a scene like that, but Sandy did not have to (and he used continuous agitation of some kind for the photos in the article).

So, I am thinking, could it be:

1. You can make adjustments in Photoshop to handle this much easier than you could handle it in the darkroom.

2. Perhaps the rotation speed has an impact on contrast, and slower rpms might help.

Any thoughts on this, or any other potential causes?