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Thread: Edgar Martins and the NYT controversy

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    Founder QT Luong's Avatar
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    Edgar Martins and the NYT controversy

    Recently, the NYT pulled out a piece based on large format photographs by Edgar Martins of abandoned construction projects, after it was discovered that images were digitally altered (see http://www.aphotoeditor.com/2009/07/...n-are-raised/).

    Now Edgar Martins is replying to the critics: http://jmcolberg.com/weblog/2009/07/...at_i_know.html

    I personally think that Edgar Martins does very interesting work (see his website), however, while I am still trying to understand what he is saying, I am wondering, do you have to be able to express yourself in such a way to fit into contemporary art photography :-) ?

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    Re: Edgar Martins and the NYT controversy

    Too funny. I've been following this but hadn't seen Martin's response. His text is painful, sophomore philosophy artspeak. He's claiming it was all purposeful attempt to incite a debate about the conceptual underpinnings of photography etc etc etc blah blah blah.

    The art world seems to produce lightweights like this by the bushel. It's a sign of what a intellectual backwater art is--utterly dwarfed by the achievements in science, literature, film...

    This is my favorite line from the Martins text: "Do these constructions expose a previously unannounced way of working by the artist?"

    The "constructions" are his images. He used to claim there was no digital manipulation. So this translates as "Did you catch me in a lie with these images?" he then goes on to dismiss the question.

    He seems to feel that since he sees no "truth" in the world these is no need to tell the truth, indeed, it would reflect a hopelessly unsophisticated view of reality to value such a thing.

    Morally, he is an empty shell.

    Intellectually, he is a bore.

    His work is thankfully forgettable.

    --Darin

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    Re: Edgar Martins and the NYT controversy

    This is good, too.

    Aperture much to their shame, has embraced Martins' lie in an Orwellian way. Here is the current page for "Topologies" http://www.aperture.org/edgar-martins-topologies.html

    It used to say "With artful composition and controlled framing--but no digital manipulation--Edgar Martins creates sublimely beautiful views of often un-beautiful sites."

    Now they've dropped the "but no digital manipulation part" without a footnote or explanation. Selling books seems to rank high above integrity there as well.

    Amazon still has the original text (same as Aperture's with the addition of the offending text): http://www.amazon.com/Edgar-Martins-...8914959&sr=8-1

    Shame on Aperture.

    --Darin

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    Re: Edgar Martins and the NYT controversy

    My favorite: To look at these photographs is to rehearse one's own exclusion.

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    Founder QT Luong's Avatar
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    Re: Edgar Martins and the NYT controversy

    I don't particularly like the work he did for the NYT, but I thought some of his previous series, in particular Approaches and Accidental Theorist that are in Topologies were strong. Honestly, I am not sure what in the context of art "no digital manipulation" ads to the work, other than some virtuosity that is besides the point. Would his reputation have been different without the "no digital manipulation" stance ?

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    Re: Edgar Martins and the NYT controversy

    Talk about butchery of the English language! Martins seems to be incapable of stringing together two sentences into a coherent thought. The near complete lack of grammatical structure and incoherence dwarf the pretentiousness--and that's saying a lot.

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    multiplex
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    Re: Edgar Martins and the NYT controversy

    i read his response two times
    and still i have no idea what he was saying.

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    Re: Edgar Martins and the NYT controversy

    It's too bad (but entertaining!) that he thought that something like this would help his position. I'm not familiar with his work other than what was shown and removed by the Times, but the sheer incoherence of his statement makes me uninclined to look it up. Sometimes the best way to respond to controversy is just to say "I'm sorry" and leave it at that.
    Politically, aerodynamically, and fashionably incorrect.

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    Re: Edgar Martins and the NYT controversy

    Quote Originally Posted by QT Luong View Post
    I don't particularly like the work he did for the NYT, but I thought some of his previous series, in particular Approaches and Accidental Theorist that are in Topologies were strong. Honestly, I am not sure what in the context of art "no digital manipulation" ads to the work, other than some virtuosity that is besides the point. Would his reputation have been different without the "no digital manipulation" stance ?
    Well, for one, he would never have gotten the plum New York Times assignment. If this is any indication his career thus far might have been very different.

    He has greatly benefited himself via his lies.

    --Darin

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    Re: Edgar Martins and the NYT controversy

    Why would someone feel the need to lie about waiting for half of forever for perfect light if it were not for the millions asserting that waiting forever for perfect light is godlike

    Would ___ be thought more honest having not being caught using ______ lighting technique
    yes, obviously

    Would he be? No


    Better question to ask IMO is if _____ had told us
    Would we STILL insist the same
    I bet a large %age would


    How many others
    I dunno
    Probably 95% of us including myself?
    flol

    Pepple talk about Delicate Arch being so important to us culturally or whatthefever
    Never been there
    Know what I think of as being important
    My water
    My air
    My soil
    ...Life?

    Water is fked up
    air is fukd up
    soil is fkd
    people are living longer ...with cancer and aids and orange skin and fake tits and criminal histories and hatred and superwalmarts and substandard living conditions andhunger and asphalt and

    Perhaps if we were more moral than we believe ourselves to be we wouldn't need delicate arch to remind us of what we have lost
    I mean, national parks are not there for us to enjoy nature
    They exist because of how much we've fked sht up
    We protect them so because we know well we will continue to fk sht up in the future
    I have a tree in the yard that needs just as much protection but the company thinks nothing of cutting out its core
    Neither do those down the road demanding service who btw are the ones giving protection to the company to fk up the tree
    I'd bet one of em neighbors considers himself a treehugger

    Just a ranking system
    If you believe rung 3 is a better place to be than rung top o fking ladder that's great
    in the end I believe rung 3 permits others to reach rung 4 and 5 and 6 and 7

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