post alternative techniques

[Jim Fitzgerald]

Tri, nice to see this print. Can't wait to see the real thing in March at our show. I'm also glad I was right behind you when you shot it. :-)

[Tri Tran]

That's right look forward to the next trip.

[Sergio]

Hi Tri Tran, great work fort this unique city of world, unfortunately he cannot able withstand 30,000 / 40,000 turist every day.
I'm a pessimist, Venice will be a future disneyland old city.

[Tri Tran]

Thanks Sergio. I totally get it. Here's another one from St Marco.

[stawastawa]

very neat gold leaf prints. Love the luminosity brightness of them. not about the shadows but about the luminance of sky and walls... nice.

A question, do the vellum's wrinkles flatten out during the mounting process?

[IanD]

Presumably there is some sort if size on top of the gold leaf before the sensitiser. What do you use for that?

[Tri Tran]

very neat gold leaf prints. Love the luminosity brightness of them. not about the shadows but about the luminance of sky and walls... nice.

A question, do the vellum's wrinkles flatten out during the mounting process?

Not entirely but I think it adds character to the handmade print. It can be framed or float mounted.

[Emil Schildt]

Painted with light...
Emulsion painted on heavy paper...
Developer painted on motive..
bleach and toning painted on image...
paint - paint - paint...
(maybe I am a painter? )

(4X5 - cooke 325 F 3.5)

[Jim Fitzgerald]

Russell's steps. 8x10 carbon print.

[hendrik faure]

I'm looking forward to more prints from you, Hendrik. All the best!

thank you Andreios
following a copperplate photogravure from pinhole photo.
I hope not to repeat, this is for my pinhole question in "doityourself"