Weldon, NC
I thought I had posted this one previously but I can't find it in this thread - so - shot with Graflex Series D 4X5.
It came out a tad light so I penciled in some of the detail. I like how it turned out.
Weldon, NC
I thought I had posted this one previously but I can't find it in this thread - so - shot with Graflex Series D 4X5.
It came out a tad light so I penciled in some of the detail. I like how it turned out.
Just posted this in April Portraits, but thought I would share this here. Image taken a week ago, printed yesterday. Something a little different for me.
With 5x7, 210mm lens on greatly out-dated FP4+ (still has the papers between the sheets!). Developed in HC-110 in 3005 Expert Drum.
Palladium with Na2 (a 5Fe, 5Pd, 1Na2 mix) on COT320, developed in Ammonium citrate. I was a little rough on the paper with the brush, but I had fun!
"Landscapes exist in the material world yet soar in the realms of the spirit..." Tsung Ping, 5th Century China
Already posted in other thread, but it also belongs to this one. A lot of defects and shameful poor scan
that does not make justice to the print. Gold toned kallitype on gampi paper.
Senyora H. by Pau Martín, on Flickr
That's very nice, Pau. What does it look like untoned?
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I am not sure. The toning step is made before fixing and changes a lot the image, which is rather thin after the clearing bath. The tones change again in the fixing bath.
From old test I recall that (my) untoned kallitypes had a warm brown tone, while the goldtones ones are chocolate brown.
The paper seems to have some impact on the tones.
Pau
Pau
8x10 film,
contact print on 9x12 140lb canson watercolor paper, selenium toned vandyke print.
Selenium toned vandyke print by Sergei Rodionov, on Flickr
I like the look. Very nice.
Two Medicine Lake. Gum over pt/pd on platine. 8x10 Efke 25 159 wolly velostigmat. Please forgive the iPhone reproduction
Erik, that's a gorgeous print!
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