thank you, Nanadadzie - yes it is asphaltum aquatint, from dustbox, melted over gas fire
hendrik
thank you, Nanadadzie - yes it is asphaltum aquatint, from dustbox, melted over gas fire
hendrik
Selaginella lepidophylla di Filippo Natali, su Flickr
5x7 gold toned albumen print from wet plate collodion negative. Sorry for the scattered bluish dots (not present in the print), I tried to adjust the colors to resemble the tones of the real print and they came out in the scan.
Filippo
is it possible to shoot say, a 4x5 piece of coated watercolor paper directly in a camera?
4x5 fixed rc paper sun prints ..
7hour exposure, 4x5 film
developed out in spent caffenol and fixed ..
"I love my Verito lens, but I always have to sharpen everything in Photoshop..."
pots
working on a new series including the negative and inverted scan and a few different prints from a few different processes
this one is the negative ( olde expired film, split processed in coffee and ansco130 ) inverted negative with pretty much no PS .. and a 7hour exposed lumen contact print ..
eventually there will be an darkroom print and a pair of cyanotypes, one straight blue and the other bleached + hand painted
not sure if i will include the actual negative in the final collected/series or a scan of it ... i don't plan on making more than 1 set -collected/series ...
almost forgot ... graflex series d, 21cm tessar wide open, home made diopter, 2month old sumatranol .. holy shoes, no socks
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