Gandolfi, Bromoil is on my list of must do techniques, and your images re-affirm why....if thats a word? Brilliant.
Gandolfi, Bromoil is on my list of must do techniques, and your images re-affirm why....if thats a word? Brilliant.
The Road Not Taken
4x6 Collodion on Aluminum
Xenar 270/4.5 - Wide Open
Kennewick, WA
I have a question regarding Bromoil. I hope it is appropriate to post it here.
Are the high detail advantages of large format lost in a bromoil print?
Would a Bromoil print from a 35mm or medium format negative look indistinguishable?
I can only answer this on my basis/experience using liquid emulsion as matrix. I have only made on eattempt in doing it on "normal" papers.
Liquid emulsion bromoils tend to be a little more rough, than normal paper bromoils.
A couple of reasons for that:
I am using a brush to apply the emulsion - that can give an uneven emulsion layer, and brush strokes can/will appear.
For inking I am using a sponge rather than the "official" bromoil brush. I think this also can result in a little less accurate inking..
But - I have done bromoils with surprisingly high amount of details, so it can be done.
I make bromoils from everything from 35mm to ULF negatives. They all work.
But I suspect, if you want the suttelties from a LF neg then you should proberly use the classic approach.
There I know, you can get all the details and suttleties as you want.
(I just can't...)
A platinum/palladium print. I posted this image as my intro to this forum a few years back.
Yosemite National Park
Nice Vaughn!
Thanks, Joe. Another platinum/palladium print
Snow, El Capitan Meadow
Yosemite National Park.
8x10 w/ 300mm
Another nice one, in my mind PT/PD and the american west go together like cake and ice cream!
Thanks, Emil!
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