Starlight, Digisix and my trusty Pentax V (ZVI modified)
Gossen
Kenko
Konica Minolta
Pentax
Polaris
Sekonic
Spectra Cine
Wein
Other
Incident
Incident with Spot Attachment
Spot 1 degree
Spot 5 degree
Spot Variable
Other
Starlight, Digisix and my trusty Pentax V (ZVI modified)
Gossen Profisix with various attachments, but I mainly use the 1º, 5º and 10º spot/tele attachment.
I have the flash attachment for studio stuff, but I don't have strobes these days.
I have the darkroom attachment which I take with me when I visit a foreign darkroom.
The fibre optic attachment is great for checking shutter and f/stop accuracy with film on a light box, or for doing TTL on the ground glass.
I also have the repro attachment, which really makes a difference using incident measurement on flat art work.
Bought it 25+ years ago, never thought it would be so good and versatile.
In the field and travelling light I just have the meter alone in it's leather case and use incident generally, or if the subject is nearby and I have time, reflected.
Mick.
Sekonic L558. Having both spot and incident makes my life easier, sometimes i just can't decide what should be a midtone...
Gossen lunisix, Pentax Zone VI and practice starting in 1953.
I use two Sekonics, the primary is a L-358 w/ 1-degree spot and the secondary is a L-308b with a 5-degree spot.
--Scott--
Scott M. Knowles, MS-Geography
scott@wsrphoto.com
"All things merge into one, and a river flows through it."
- Norman MacLean
For me its a Gossen Luna Pro SBC (incident/reflected), Pentax digital (spot), and a Sekonic L-608 (incident & variable spot). Mostly use the Gossen backed up where necessary with the Pentax spot.
Dave
Minolta Flashmeter III and Minolta Meter IV
Pentax Digital Spotmeter
Cheers
Life in the fast lane!
You mean when I'm not just guessing, right?
Soligor Zone VI modified, Pentax Zone VI modified and an old Luna pro hidden away somewhere. haven't see the LP since the divorce. Along with my money.
bob
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