The story he wants to tell is: This is a cheapo 70's TV production. The real flaw is that he expresses that by applying postpro fake lens flare to his otherwise shiny, if not slippery CGI production with far too many wide views, where he'd have got much closer to the original effect (at one tenth of the budget) by doing it all head shots in a coarsely painted and lit cardboard set, filmed in reversal and cut directly off the original in a somewhat dusty room, with the tech crew as stoned as the actors.
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