What did you compose at Waters Edge?

[David Lobato]

A 4X5 transparency from 1990. I liked Ektachrome 64 Daylight for its soft contrast and ability to record subtle color tones.

Along Fountain Creek, Colorado.



Toyo 45A

[StoneNYC]

A 4X5 transparency from 1990. I liked Ektachrome 64 Daylight for its soft contrast and ability to record subtle color tones.

Along Fountain Creek, Colorado.



Toyo 45A

Beautiful, so did you use a compensating filter for the tungsten film, ice in general tend to be blue so I can't tell if this is from the film itself or just the blue water in the ice?

[Christopher Barrett]

I believe he said it was 64 Daylight (EPR). Though, we used to love to shoot EPY outside for Architecture as it had much better shadow detail than EPR or EPN. We typically filtered that with an 85B + 05 Red CC depending on the emulsion... a million years ago.

[David Lobato]

Beautiful, so did you use a compensating filter for the tungsten film, ice in general tend to be blue so I can't tell if this is from the film itself or just the blue water in the ice?

It was Ektachrome 64 Daylight film, 6017.

[Jmarmck]

Yes Ektachrome 64 is daylight tho with a tendency to accent cool colors, a wise choice for ice.

Nicely done, David. This is one of those I would like to see in person.

[StoneNYC]

Sorry guys, I'm apparently having a bad reading day, I kept thinking of my Fuji 64T sheet film stock, my apologies.

[ImSoNegative]

Inside the motor base there is a switch that gets whacked by a rod -- this switches the motor until the rod comes around again to whack the switch and reverses the motor again. Perhaps the rod got bent or broken (I bent mine to keep the motor from reversing)...so it might be an easy fix -- or a switch replacement. At least until you get your Jobo!

Great images!

+1 very nice

[stradibarrius]

Excellent shot! Nice soft colors.

A 4X5 transparency from 1990. I liked Ektachrome 64 Daylight for its soft contrast and ability to record subtle color tones.

Along Fountain Creek, Colorado.



Toyo 45A

[Corran]

Shot this exact shot on 120 a few months ago, but did it again today with a different setup.

Chamonix 4x5, Nikkor 90mm f/8, T-Max 100, FX-39 1:19
Red 25 filter and ND8 stacked, 30s exposure:



I think this'll make a good silver print.

[JeRuFo]

That's a great shot, Bryan. Just the right amount of movement in the leaves.