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Thread: What did you compose at Waters Edge?

  1. #4231

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    Re: What did you compose at Waters Edge?

    Quote Originally Posted by Harley Goldman View Post
    C&C always are welcome.
    "C&C"? Compliments and congratulations? From me, you have both.

    Jonathan

  2. #4232
    Nana Sousa Dias's Avatar
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    Re: What did you compose at Waters Edge?

    Click image for larger version. 

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    Shen Hao HZX 45 IIA, Nikon W 210, FP4+, Epson V700.

  3. #4233
    Nana Sousa Dias's Avatar
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    Re: What did you compose at Waters Edge?

    Click image for larger version. 

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    Chamonix 45, Schneider Super Symmar 80, Fuji Acros, orange filter, Epson V700

  4. #4234
    Land-Scapegrace Heroique's Avatar
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    Re: What did you compose at Waters Edge?

    Quote Originally Posted by jcoldslabs View Post
    "C&C"? Compliments and congratulations? From me, you have both.
    I thought "C&C" was for cheers and clapping?

    [Sound of cheers and clapping here.]

    But Jonathan's C&C is great for Harley's misty-snowy image too...

  5. #4235
    David Lobato David Lobato's Avatar
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    Re: What did you compose at Waters Edge?

    Nana and Harley, you are making this page one to remember and to bookmark. Wow.

  6. #4236
    Ummm... Yeah
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    Re: What did you compose at Waters Edge?

    Quote Originally Posted by koraks View Post
    Sounds all very subtle; I still find it difficult to judge what I'm doing on the ground glass. I looked through a prism finder on a Sinar once and I am more and more inclining towards acquiring one as it makes composing so much easier.
    All my friends say the same about composing on the glass. Of course, they all think film is too much work! For me, though, the ground glass just works, as I can get in close to check the focus, and pull back to check the composition. I have a hard time manually focusing my smaller cameras because of my vision, so bigger is better!

    Quote Originally Posted by koraks View Post
    I'd love to see the print you make of that image; I'm sure there's quite a bit of detail in the shadows that didn't make it to the digital file.Thanks for the compliment btw! I'm glad I could save some of the highlights to the right. They were totally blown out in the digital proof that I made when composing this picture, but that's the nice thing about print film!
    The clouds are really nice. Clouds can really make a photo if they're done "right." This just works in yours.

    Again, thank you for the kind words about my photo!

  7. #4237

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    Re: What did you compose at Waters Edge?

    Quote Originally Posted by jcoldslabs View Post
    "C&C"? Compliments and congratulations? From me, you have both.

    Jonathan
    Quote Originally Posted by Heroique View Post
    I thought "C&C" was for cheers and clapping?

    [Sound of cheers and clapping here.]

    But Jonathan's C&C is great for Harley's misty-snowy image too...
    Quote Originally Posted by David Lobato View Post
    Nana and Harley, you are making this page one to remember and to bookmark. Wow.
    Thanks guys! The comments are very much appreciated.

  8. #4238
    Nana Sousa Dias's Avatar
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    Re: What did you compose at Waters Edge?

    Quote Originally Posted by David Lobato View Post
    Nana and Harley, you are making this page one to remember and to bookmark. Wow.
    Thanks, David

  9. #4239

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    What did you compose at Waters Edge?

    Quote Originally Posted by Steve M Hostetter View Post
    Attachment 121956Wildcat Bend, Fuji Velvea 50 in Tetenal 3 bath
    I've never seen Velvia so muted, was this just early light and not using a filter? Or was this something in the development?

    It's beautiful by the way.

  10. #4240
    runs a monkey grinder Steve M Hostetter's Avatar
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    Re: What did you compose at Waters Edge?

    Stone,, I think it was a combination of that plus the film I believe was out-dated when I bought it

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