What did you compose at Waters Edge?

[Dean]

Flickr 上 多啦73 的 Image14

[Corran]

Here's one from late May that I just got around to developing.

Linhof Master Technika, Zeiss 250mm f/5.6 Sonnar, Velvia (the older variety, now starting to shift magenta as it does, but I liked the result here).

[StoneNYC]

Flickr 上 多啦73 的 Image14

Dean! Amazing! The flickr link doesn't work for me, are there details about exposure, camera, film, dev you're willing to share?

[mathieu Bauwens]

Nope, no more details on flickr;

Great landscape Dean !

[Dean]

Dean! Amazing! The flickr link doesn't work for me, are there details about exposure, camera, film, dev you're willing to share?

I am glad you like these photos and I hesitate if these 2 photos should be published in this forum because they are taken by Horseman FA45 camera and my films are used up 6*9 film back. I don’t know if these photo comply with the standard Large Format Photography. The film is PROVIA RDP3 100F and the lens is topcon 90mm/f5.6. The photos are only decolourized and adjusted the contrast, no more other processes. This simple process can not get rid of the dust. I am surprised the effect after decolourized.

[polyglot]

Flickr 上 多啦73 的 Image14

This is beautiful, and the dynamic range was handled extremely well while retaining local contrast. But according to flickr, it was scanned on a Nikon 9000 that does only 6x9.

Edit: I just saw your reply re the Horseman. Seems reasonable to me, I certainly intend to post shots taken on 6x12 in my Toyo 45A one day.

[Heroique]

Here's one from late May [Lillypads] that I just got around to developing...

Yes, I also think your Velvia's shift to magenta adds interest.

If you didn't mention it, people might think it was the sky's reflection at dawn, as I initially did!

Your Zeiss 250mm gives us the viewpoint of a bullfrog – a pleasing and peaceful close-up.

[Heroique]

The forest just off the beach, Olympic Peninsula (Olympic Nat'l Park).

It's mid-day in broken light – not ideal – but I liked the dappled light on the tall grasses and bleached driftwood, tossed here by high-tide storms.

A tranquil forest + distant pounding surf = very soothing! Lunch then a long cat nap. The waves lulled me to sleep. Later I pitched my tent here for the evening (in the clearing back there on right). Bear canisters mandatory. The black bears enjoy exploring the beach at low tide, searching for a fishy snack, esp. if it's dusk and later. I didn't see any this time. But there were hundreds of shore birds sprinting before the waves, plus lazy sea ducks floating behind them – I had my Sibley and my binoculars. Maybe the black bears saw me, but I didn't see them, while my binoculars blinkered me. Next morning, back to the car.

Tachi 4x5
Schneider XL 110mm/5.6
T-Max 100 (in T-Max rs)
Epson 4990/Epson Scan

[Kirk Gittings]

I am glad you like these photos and I hesitate if these 2 photos should be published in this forum because they are taken by Horseman FA45 camera and my films are used up 6*9 film back. I don’t know if these photo comply with the standard Large Format Photography. The film is PROVIA RDP3 100F and the lens is topcon 90mm/f5.6. The photos are only decolourized and adjusted the contrast, no more other processes. This simple process can not get rid of the dust. I am surprised the effect after decolourized.

From the guidelines: "For the purposes of this forum, we define "large format" as being essentially 4x5, or larger, sheet film. We do, however, allow what would otherwise be considered "medium format" sizes, IF exposed in a view camera (e.g. with a roll-film adapter), technical, or old-style press camera (e.g. the various Graphic cameras)."

[ImSoNegative]

4x5 field camera, 305 repro claron, ilford delta

Like a rock by goldenmageworks65, on Flickr